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Case study · Brand & identity · Website

Argyll Rhythm

A brand for a drum and percussion tutor in Mid Argyll, drawn from the hills she teaches beneath.

The brief

Seónaid Macpherson teaches drum kit and percussion across Mid Argyll. She wanted a brand as personal and local as her lessons.

The identity had to come from somewhere true rather than the generic music-school look, and it had to work in the places a rural tutor is actually seen: a phone screen, a village hall poster, the side of a car.

So it started where she does, with the landscape on her doorstep.

Client
Seónaid Macpherson
Year
2026
Location
Lochgilphead, Mid Argyll
Designer
Andrew A. Stewart
Scope
Brand identity · Packaging · Website

The idea

One line, two readings.

The mark is the line of the Paps of Jura, the hills you see across the water from the Argyll coast, drawn as a single gesture that also reads as a drum’s waveform.

Place and rhythm in one stroke. It is drawn by hand and closes back on itself like a signature, so it carries the energy of handwriting rather than the neatness of a shape somebody chose from a grid.

One continuous line also means one continuous gradient, heather at the start and amber at the end, which is what makes the mark read as a hill at dusk without anybody having to say so.

The mark

Four versions, one drawing.

The gradient is the primary form, shown at the top of this page, and it does most of the work. The two single-colour cuts exist because a one-colour print, an embroidered polo and a vinyl car decal are all real jobs for a tutor working out of a village, and none of them can hold a gradient.

Gradient on warm cream
Amber, one colour · dark grounds
Black, one colour · print and stitch

The wordmark

Her name, set quietly.

Raleway throughout: the name in bold with tight tracking, the line beneath it light and widely spaced. It ships as outlined artwork rather than live text, so the wordmark cannot shift on a slow connection or on a machine without the font. The mark is the character in this identity, so the type stays quiet beside it, and it is lowercase because she does not introduce herself in capitals.

On warm cream
One colour

Colour

Heather, transition, amber.

A hill at dusk, read left to right. The transition colour exists to make the blend land properly and is never used on its own.

Brand gradient · heather to amber

Heather

#7D5A8A

The hill at dusk. Start of the gradient.

Transition

#A87060

The turn. Never used on its own.

Amber

#C8873A

Lit windows. End of the gradient, and the accent.

Near black

#1E1E1E

The ground. Warmer than black.

Warm cream

#F4EFE6

Paper, and the light alternative.

The icon

Small, square, still hers.

A profile picture, a favicon and a map pin are all the same problem: a square, at a size where the wordmark is unreadable. The mark alone survives it, because the silhouette is the recognisable part rather than the detail.

Dark tile · primary
Cream tile · gradient mark
Cream tile · one colour

Launched 2026

A brand that sounds like Seónaid and looks like the hills she teaches beneath.

Live at argyllrhythm.co.uk.